When we were in Croton and the boys were babies. Actually, Christopher was only there for three months as a baby (crazy kid, what was he thinking?) we lived next door to Ethel Stein who was, at the time 72. King street, where we lived, was a short dead end and she and I spent afternoons talking while Arthur ran from house to house. Ethel was/is a renowned textile artist though really all I knew of her then was that she had exhibited in the Art Institute of Chicago, that she made beautiful pieces, that she made her first weaving from the collected hairs from her Irish wolfhound, Bear. (Those feather-light hairs she wove into a tie for her husband Dick, an architect). When I knew Ethel, she was tremendous and warm and funny. We would sit in her studio with its loom and her backyard curving over the stone wall into mine and talk. She loved Arthur’s brightness (and by that I mean that he was a warm, present baby who could draw people in just by smiling).
Once we went on an excursion to pick berries at an organic raspberry farm, meandering along backroads trying to find the place which was just here, no just here and so on. I’m sure I was driving too slowly, talking and peering. But there was this complete a.hole on my tail, he may have been confused and thought we were playing bumper cars. Anyway, he gunned his engine and rode my tail and I turned into the place finally and, sorry to say, with my wonderful older friend and my little shiny baby in the back, flipped the dude off.
Well, never again (and I mean that, this was 16 years ago and I have never, ever made an assumption that it is ok to react angrily to another stranger on the road). He backed his pickup fast, pulled into the dirt drive behind us , stormed out of this truck (his girlfriend hid her face in her hands). Guy was big and THERE and screaming at me. I brought it down, raised my hands, apologized. He saw my baby and my friend and I think it took the wind out his sails. But what if? There was so much pent up rage in him and I think about how simple anger collides with weapons. Guess I am feeling sensitive to that after today’s stories from Alabama and Germany. We all need to take a deep breath I think. And also, Ethel and I liked to laugh about it after — so writing about her reminded me. She was actually more of an iconoclast and braver than I was at the time. And even now, I think I am working myself up to my full Ethel-ness.
Back to her. She loves this time of year, when every living thing is done waiting and is ready to POP. This evening I stood at the kitchen window working on our dinner — the light is so welcome when I get home from my day. I looked up into the arching trees and their dark buds. “It gets so soft when they all come,” she said once. And we stood and looked up and the light was a very delightful pale green from the myriad baby leaves, peeking out, becoming.
The winter has been so swift and I am happy about that. And I’ve been so immersed in writing, painting, thinking about painting, reading about art. Just ingesting so many things and being very actively engaged. What my creative coaching teacher calls Hungry Mind. Time is washing over me. So, I stand at the window and make an active choice to stop and watch.
I haven’t spoken to Ethel in over a decade but I see by her gallery’s website that she is productive. You can see her sweet face, a bit of her loom, her work at this link. And I imagine she is waiting for another spring. When the leaves come she will notice and I think the time’s rush will slow; strands, threads, the weft and the weave. My best friend and I spoke on the phone tonight and separately, together noticed the full moon. How poignant that shared experience across so many miles and how fleeting it is — the moon is nothing but a marker of time passing.
So it goes.
There